Since reading Andre Malraux’s Les Voix du Silence as a student, I have often asked myself which objects or images truly merit the title. Would it be the condensed emptiness of the chapel at Vézelay, the bleak expanse of a Northumbrian moor, the anonymous intimacy of a Momoyama tea-bowl, the abandoned font in t…
Keep reading with a 7-day free trial
Subscribe to Rupert Spira - The Transparency of Things to keep reading this post and get 7 days of free access to the full post archives.